The Furies in the Prado Museum
Last week I went to the Prado Museum to see the
new exhibition: The Furies, from Tiziano to Ribera. I decided to visit this
exhibition in particular because I´ve always liked the Quattrocento and
Cinquecento periods. What I like most about Renaissance painters is their
particular use of light and shadows. The shadows stay back to give way to the
bright figures that represent Gods and Goddesses of Ancient culture. I also
like Renaissance painters because of their anatomical accuracy of the human
body. Since the Renaissance was a throwback to ancient Greek and Roman culture,
these paintings depict scenes of the ancient myths. In the case of the furies,
they depict punishments.
"Tytius" by Tiziano |
Let's take Tytius as an example. The first
thing that calls the viewer’s attention is the beam of light that illuminates
his face and shows his expression. The sorrow and pain were faithfully
depicted; used by the painter as a warning for anyone who came across these
works of art. In fact, they were meant to warn people. Mary of Hungary wanted
these paintings to be displayed in her castle in order to warn the citizens
about what would happen to them if they rose up against the crown. Also, his
position reveals the fight against the vulture and the struggle to avoid its
pecks.
The colours, wisely chosen by the painter,
provide a faithful and realistic portrait of a human being. Just take a look at
his hair, his hands and the chains that prevent him from escaping. This
painting conveys the idea of suffering and punishment, and how difficult is it
to escape the fate.
As the story goes, Zeus punished Tytius for
trying to rape one of his lovers. That punishment consisted of being chained to
a rock were an eagle would peck his liver. This story reminds the viewer of
Prometheus, who was also punished in the same way, for giving the secret of
fire to mortals. An eagle would peck his liver every day, and its hideous task
would never end because, unfortunately, his liver would grow again every night.
Written by María Tarazaga, translator and interpreter.
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